mixed media printmaking

Staying motivated, random approach

I am having brain challenges. These challenges make it hard for me to focus on much for very long. So I have adapted my journaling and art making approach to include short specific challenges.

Sketchbook by Linda Germain

I work in a book form that I keep the signatures separate until the end and then combine them to make one solid book. This allows me to do a lot of random mark making. It seems like it doesn’t make sense as  I am doing it, but in the end, I think that I am getting in touch with a more intuitive creating and  the books are cohesive.

Work signatures separately

I often take one approach and work on one page at a time in each signature. So I have six signatures going at once. They will be glued together in the end to form a book. I keep the signatures separate because it allows me to work in wet media without having to wait for everything to dry. If I have a wet page, I can just move onto another signature while that page is drying.

Wet media drive by working on signatures separately

I love to make  marks as I go, I love to make patterns  with my handmade foam stamps. One of my most recent approaches is to use a trace monoprint kind of mark with a simple drawing, and a sheet of homemade transfer paper.

I do have my favorite motifs, which include trees, birds, other animals, faces, and houses.

Birds and houses my favorite motif

I am also including Bible verses in this months book. I am trying to get in touch with the faith and healing, and it seems to help to write them out.

Collage is a another great approach as well for this layered journaling process. I can collage a piece here and there, or a word here and there, and then let the page develop as the month goes on.

Emotions collage

I definitely still use my timer to get me through the lack of motivation. So I set a timer for 20 minutes and usually I get into the 20 minutes. Keep refreshing the timer and before I know it, I’ve spent an hour or two working in my sketchbook, which is always makes me happy.

Repetitive marks and crayons scribbles are another way that I connect disparate marks in a journal spread. It is very freeing to scribble with a crayon, and it can be mindful to just make random dots and lines.

add stamped marks

My favorite tools for this process very simple markers, watercolor, acrylic, markers, crayons, homemade stamps, and magazine bits for collage.  So I encourage you to gather some simple supplies that you may already have and set a timer for 20 minutes and see what happens in your sketchbook.

If you need some encouragement or ideas, you could check out the creating habits workshop that is on sale this month for only $45. In that class I offer 20 different techniques to play with in your sketchbook.

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Stamp some marks

Why I like to work with tiny foam stamps:

They are fast and easy to make. You just need sticky back foam sheets and something to stick it to. I like to use recycled styrofoam produce trays. But you can use sturdy thin cardboard too.

supplies for making foam stamps

The stamped image can be simple but still impactful. Sometimes geometric shapes and patterns are enough. I like to keep the stamps small so they are easy to ink and print.

It can be addictive to make piles and piles of stamps. And yet they take up very little space and are quite easy to store.

tiny foam stamps by linda germain

I like to keep a sample book with a record of stamps that I have already made especially the word stamps.

They are easy to ink and print. I like to use broad nibbed markers. This avoids the need to buy a bunch of stamp pads that just dry out too fast. I can even use more than one color at a time.

foam stamp image

It is easy to make impressions of different values rather quickly. This can add depth to the print.

And they dry quickly and support the flow of working in my sketchbook.

foam stamping in sketchbook

I invite you to explore tiny stamp making with me. Read all the details of the new Stamp Making and Mixed Media Workshop.

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Just Make Marks

I am learning that it is enough to just make marks. Joyful marks are even better.

mixed media journal page

Sometimes I can get caught up in needing to know why. Then I usually get stalled by the thinking in my head.

artist book page

The thing is when I just make marks and then more marks and then even more the result is a piece that is uniquely mine.

There is plenty of time in the domain of not knowing. There is some time when the marks seem precious.

When I can accept these states:

  • not knowing
  • dissatisfaction
  • preciousness
  • exploration

then I often get to a place of discovery or satisfaction.

mixed media printmaking

My new favorite mark is spraying pigment through found “stencils.” I diluted watercolor and put the mixture into a small spray bottle.

watercolor in spray bottles

If you try this method be sure to protect your table from the over spray. I love how fast it dries and how transparent the layers are.

found stencils for spritzing technique

All my classes are about mark making of some sort. See if there is one class that interests you.

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Consider not knowing – OK

Often I like to know how things are going to play out.

  • How the impression will print
  • How the marks will work together
  • How the colors will combine

black out poem

But this wanting to know ahead of time can stifle creative exploration. So I try to remind myself to:

“Let go and see what happens. It is only a piece of paper.”

gelatin monotype

When I can suspend the need to know and embrace the attitude of play, then new ideas often show up. It can take some time and warm up exercises to move beyond the need to know. That is one reason that I love the gelatin printmaking process. It is easy to grab:

  • a couple of stencils
  • stamping tools and
  • a stack of paper and start printing.

The feedback I get is immediate and I can quickly adjust my approach to change the results. I say if I get 2 out of 10 prints that I like then that is a success.

artist book

What about you? Do you allow yourself the space and time to venture into the unknown? Try it out next printing session and see what happens.

enzo in artist book

Check out the self study workshops that are available now. And jump into creating and not knowing.

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Try something new or different

I have been making painted pages and collages lately. It is a bit new and different for me.

mixed media collage

Experimenting with a new technique or material can breathe new life into your art making practice. It might be a great way to stimulate ideas for your next series or project.

collaged houses

Or you could find a way to integrate new skills into your traditional practice.

gelatin print on painted book page

Are you inspired by images that you see online? Ask yourself what is the quality that you admire and then see if there is a way to bring that quality into your work.

It could be:

  • the subject matter
  • the shape, color or simplicity or
  • the medium or format

I encourage you today play with something new or different and then notice if it stimulates something in your practice.

An art class is one way to try something new, check out the current workshops and see if any are a good fit for you.

mixed media collage

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