stencils

Capture some shadow shapes

I take a daily walk in the woods along the lake and often see things that I want to use in my art making practice. It can be anything from weeds, leaves and sticks or inspiration for landscapes.

inspiration from the lake for landscapes

Those tangible things can be directly used in the gelatin printmaking process. I thinned down a tiny sprig of pine needles to make the prints below.

use found plants to make gelatin prints

I have been collecting more fleeting inspiration in the form of cast shadows. The sun needs to be strong and calm winds help.

cast shadows great for drawing

The bright sun simplifies the plants into shapes, and then I can more easily draw the leafy image. I does help to try to take the photo in the same angle and orientation that you want to draw it. Flipping in a photo program seemed off balance or wonky.

silhouette cast shadows

It can be very satisfying to do a few of these cast shadow drawing and fill them in with black ink or paint.

blurry pictures leave room for interpretation

Blurry pictures create room for interpretation. I notice that leaves are all different shapes and when a few group together they make even weirder shapes.

photograph shadows

The great thing about capturing shadows is that they don’t take up any studio space. And I always leave a few images on my phone, so I always have something as a drawing reference.

shadows and drawing practice

I encourage you to start to notice cast shadows and bring them back to your studio.

capturing cast shadows

One bright sunny day, in the studio, I tried casting some shadows and capturing them at the same time. I could have used another hand, but I love the shapes created. I may not have seen them by looking at the real branch.

Enjoy!

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Value matters – Printmaking

Sometimes, I look at a print that I am working on and feel that something is missing. I need something to make it pop or something to pull it all together.

gelatin print with hand stamped marks

Often I can do that by adding a very dark mark or a very light mark.

mountains scape by linda germain

Value, the range of light to dark is often over looked. Color is easier to see so it often gets more attention.

Some painters do grey scale “drafts” before they paint with color.

range of value

One way to check for range of value is to take a black and white photo of your print. Do you see some very light areas as well as some very dark marks?

abstract landscape gelatin prints

Another way I check for range of value is to squint at the print. If it blurs into one soft medium mass, then I need to look for ways to add dark darks or light lights.

If you want to build your skills for creating prints with a strong range of value, then join us in the upcoming online class, check out the current printmaking classes.

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Brown paper bag – stencils

I just discovered that bold stencils cut from brown paper bags are durable enough to use with the gelatin plate.

bold stencils for gelatin printmaking

It is quite relaxing to grab a pair of scissors and a paper bag and cut out shapes. Before you know it you will have a pile of new stencils.

masking stencils for gelatin printing

I managed to pick a couple and make some prints on fabric.

gelatin plate prints on fabric

I was surprised how durable the stencils were. I think that they will last for at least a couple of printing sessions.

monoprinted fabric by linda germain

If you would like to explore gelatin printing on fabric, then join us in the online class, Monoprinted Fabric. Class starts soon. Read all the details on the workshop page.

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The woods as my inspiration

I have been taking daily walks in the woods by the lake. I take photos but they don’t really capture the connection that I feel.

brown bag book cover

Yesterday, I decided to play with printing trees with torn paper stencils and the gelatin plate. Torn paper has a wonderful ragged and organic edge.

torn paper stencils for gelatin printmaking

I wanted to create an abstract and somewhat natural feel to the printed woods scapes.

gelatin plate monotype prints

I experimented with speedball water based block printing ink and a little bit of acrylic. The first impression gave me the very dark background with white tree shapes. The second impression produced lovely light spot trees, similar to a birch tree.

mixed media gel plate print

I was having fun, but I wanted to create more  range of value and some darker tree shapes. The printing session was a bit up and down with being pleased with the prints and being frustrated. That is usual for me.

accordion book of gelatin prints by linda germain

I printed a second day and was pleased with some of the prints. I glued several into an accordion book and then did some collage and doodling.

concertina style book of gelatin monotype prints by linda germain

Even though they are just torn paper stencils, I think I will save them for another day of printing.

Check out current classes.

Happy Printing!

book by linda germain

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Notan studies – light and dark balance

Notan is a Japanese term that means light and dark harmony.

It is a way of simplifying the image to only black and white to render the image as black and white shapes. There are no middle values and no color and textures.

notan study of vine

I used the threshold feature in photoshop to reduce this photograph of a vine to just the black and white shapes.

photo edited with threshold feature

This is another photo that was reduce to its light and dark values. This type of image is great for creating emulsion based screens for screen printing. I love to use the EZscreens for small projects.

high contrast image good for photo emulsion screen printing

High contrast photos work well with the threshold feature to create only black and white images, with no gray values. Then we can use the sun to harden the pre-coated screens and it short time have small screens for lots of mixed media projects.

EZscreens made from drawings and photos

Today I did a paper cutting notan study. I used a quick sketch that I had of a metal leaf sculpture. I drew the interconnected design on a small piece of black paper and then cut all the pieces out. The glued them like a reflection on to a larger piece of white paper.

cut paper notan study

I like the simple shapes. An I find that the limited black and white makes a strong impact. And it was easier than I thought to cut out and assemble. Try it!

Simple shapes make great stencils for gelatin printmaking too. If you need the long lasting recipe to make the gelatin and glycerin plate, the click here and get the video instructions.

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