inspiration

Try something new

One way to infuse your art practice with new energy is to try something new, and maybe even seemingly unrelated to your usual art making habits.

view Mt Major NH

A few “new” skills that I have played with are:

  • Clay play – this was so addictive and fun. I learned I like to see results fast and that a lot of printmaking techniques can be used in making clay objects. I took a local class.
  • Photography challenge – This one is so easy to do with digital phones and cameras. Just stop and capture what catches your eye. I use shadow photos all the time to make drawings and stencils. I just set challenges for myself.
  • Sew, knit or crochet something.  I have made quilts, aprons and bags with my monoprinted fabric. Threads, yarns and fibers always work their way into my prints.

The key is to embrace the beginner’s mind, open, curious and willing. So I encourage you to find something new to try. It doesn’t even have to be about making something.

Sometimes a class helps to learn a new skill. Maybe the Gelatin Print Project is just what you need. Read all the details about this class on the workshop page.

gelatin print project part 3

 

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Rest as needed – art making

Sometimes it is time to do nothing and really rest. This can be challenging for a maker. But it might be what your body, mind and spirit need.

sketch booking by the lake

I have had those times when I tried to push through and just do it. That can be frustrating and counter-productive.

beach a healing place for letting go ritual

If you are not sure whether you should push on or take a rest, you try a little of both and see which one feels better.

Often a rest can fill you with new energy and ideas.

What is a rest?

  • a short walk or nap
  • a week long retreat
  • a day in nature

A rest is specific and personal. It all depends on what your body, mind and spirit need. I think you can tune in and rest as much or as little as you need.

Other times the energy and stimulation of a class helps. If that is what you need then check out the 3 part Gelatin Print Project.

 

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Produce play – pears

Let the fruits and veggies of the season inspire your artwork today.

pears to inspire drawings

I arranged my “models” (pears) at eye level and started sketching with a nub of soft charcoal. You could do something similar.

  1. Gather colorful produce
  2. Arrange in an easy to see manner
  3. Grab your favorite drawing tool
  4. Capture the essence

draw pears with charcoal and water color

If you take pictures then you will have drawing references even after the produce is gone. Enjoy!

If you are looking for a quick gelatin printmaking class that will help you to pull some powerful prints, then check out the details of the online workshop, SIMPLIFY.

simplify gelatin prints with threads and circles

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Simple does not mean easy or boring

Simple is not necessarily easy or uninteresting. I think of these qualities:

  • clear
  • honed to the essentials
  • free from ornamentation
  • readily understood/admired

gelatin print by linda germain

Often it is challenging to hone something down to its essential elements and still maintain meaning. In gelatin printmaking there is so much excitement, energy and possibility that it can be hard to embrace the less is more idea.

print with grasses linda germain

I offer you this challenge to gain clarity and insight into your printmaking style try one of these ideas:

  • Use 3 or less stencils
  • Print with blue/black ink
  • Try to include light whites and dark blacks in your prints

gel print monotype linda germain

You may notice that you resist these boundaries. That could be a good thing. Or you could create a boundary of your own and see what insights evolve.

If you would like the structure of a class to help you simplify your gelatin printmaking then check out the details of the online class.

speedball water soluble block printing ink for gelatin printmaking

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Capture some shadow shapes

I take a daily walk in the woods along the lake and often see things that I want to use in my art making practice. It can be anything from weeds, leaves and sticks or inspiration for landscapes.

inspiration from the lake for landscapes

Those tangible things can be directly used in the gelatin printmaking process. I thinned down a tiny sprig of pine needles to make the prints below.

use found plants to make gelatin prints

I have been collecting more fleeting inspiration in the form of cast shadows. The sun needs to be strong and calm winds help.

cast shadows great for drawing

The bright sun simplifies the plants into shapes, and then I can more easily draw the leafy image. I does help to try to take the photo in the same angle and orientation that you want to draw it. Flipping in a photo program seemed off balance or wonky.

silhouette cast shadows

It can be very satisfying to do a few of these cast shadow drawing and fill them in with black ink or paint.

blurry pictures leave room for interpretation

Blurry pictures create room for interpretation. I notice that leaves are all different shapes and when a few group together they make even weirder shapes.

photograph shadows

The great thing about capturing shadows is that they don’t take up any studio space. And I always leave a few images on my phone, so I always have something as a drawing reference.

shadows and drawing practice

I encourage you to start to notice cast shadows and bring them back to your studio.

capturing cast shadows

One bright sunny day, in the studio, I tried casting some shadows and capturing them at the same time. I could have used another hand, but I love the shapes created. I may not have seen them by looking at the real branch.

Enjoy!

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