inspiration

Ebb and flow of creating

It has been a good summer for small boat sailing, here in New England. There are a lot of factors that affect the decision to sail:

  • the wind speed and direction
  • the timing of the tides
  • and for me whether my brothers are willing to drag the boat over the beach to the shore.sunfish sailing

Creating is like sailing. Some days are better than others, but even on a “bad” day I can find something good about it.

I do the best I can given the conditions. Sometimes:

  • It is hard to get started, but after I do start I find myself enjoying it
  • The conditions are not ideal, like the studio is 90 degrees, so I print in short bursts of time.
  • There could be factors beyond my control and I just need to take a day off from creating.

doodling in sketchbook

I have created little travel kits, so I can create at home, in my car, or at the beach. This way I increase my chances of finding the time and energy to create. I can roll with the ebb and flow of my energy.

My travel kits are nothing special, just a baggie of markers, a pen, some small stamps and a journal.sketch travel kit

I have tried the more complex sketchbook kits, with watercolors and such, but they were too much for me and I never used them. We need to try lots of options and then do what works for each of us individually.

stamps sketchbook page

I find taking an art class can help with the ebb and flow of creation. I am following a couple of classes right now. I don’t always do the lessons as assigned. I try to take what is offered and tweak it to my style.

For example, the assignment was to collage in found images, as a background.  I adjusted it and collaged in photocopies of my own images. This feels more meaningful to me.

collage in sketchbook

So I encourage you to:

  • be open to the ebb and flow of making stuff
  • try a small travel kit specific to you
  • maybe take a class and tweak the lessons to your needs

If you like self paced online classes, then check out the classes I have to offer. Enjoy!

Ebb and flow of creating Read More »

Phone – studio tool

How many ways do you use your phone in your art practice? I know we are advised to limit screen time, but our phones have so many features that can be a challenge.

Maybe we could limit mindless screen time? Go back to rotary phones??

I use my phone:

  • to photograph art work and inspiration constantly
  • to shoot video of processes
  • to time exposures – cyanotypes
  • to listen to soothing music
  • as a timer to get things done
  • to create reminder lists
  • to make slideshows
  • to capture before and after clean studio pictures
  • to check the time or weather for making plans
  • to check out art friends social activities
  • find free clip art
  • Screenshots of internet ideas/instructions

slipknot book of gelatin prints by linda germain

With all of these uses, I can see why it is a challenge to reduce screen time. I am okay  with many of those activities.  And I know my black holes, Netflix, Youtube and Freevee.

cyanotype book with art quotes

I am giving up feeling bad about using my phone and will be looking for more creative uses for this studio tool. I invite you to try some gentleness around your phone use and art practice.

Check out the online classes available now.

flower photo to inspire stamps

 

Phone – studio tool Read More »

In and Out of the Studio

I think time outside of the studio, feeds what is created in the studio. What is your experience?

artist book relief prints

I often see shadows and leaves on my morning walks that I use as reference in my gelatin printmaking. I collect weeds and grasses to use as masking stencils too.

cast shadows great for drawing

Lately, I have been doing lots of line drawings of faces. Old photos have been the stimulus for some of these drawings. I have also been capturing new images of family members to use as reference.

stylized portrait

Even an extended vacation could inspire a new series or process.

gelatin prints bound into artist books

I just came back from Maine Media for a week long class, A Sense of Place with Isobel Lewis. I enjoyed exploring new book forms and printmaking methods.

If you are looking for a stay at home art vacation option, then check out the self study classes on my workshop page.

botanical gelatin plate monotype prints

In and Out of the Studio Read More »

Take an art vacation

I just got back from a week at Maine Media. Oh boy did I need to get away. And I am glad to be back in the studio with renewed energy and ideas.

tetra pak intaglio plates

I have joined in on some online courses this year and they have been stimulating too. But working in person with instructors and fellow artists offers another energy.

The class was “A Sense of Place” with Isobel Lewis. We explored Rockport Harbor on the first day and did several drawings to capture the feel and essence. Luckily it was a sunny spring day.

rockport harbor

We spent the week making marks and working the papers into several different book forms.

accordion book

The book above was formed with 4 Tetra Pak intaglio prints. I love the loose threads that symbolize the ropes and lines of the boating community.

tetra pak print by Linda Germain

Enjoy a short video of a single sheet accordion book that a made during the week.

Consider giving yourself the gift of an art vacation. Some of the places that I have enjoyed:

Check your local art schools for more options.

 

Take an art vacation Read More »

Feeling the chaos? Maybe simplify

Sometimes, I get overwhelmed with ideas and then I can’t choose one to play with. Usually, I go for a walk to get some clarity.

simplified gelatin print

Then when I get back to the studio I have a 1-2-3 to do list. I like to have just three items on the list, that way I don’t get overwhelmed by a long list. When I finish the three activities, then I can make another list of 3.

gel plate print by linda germain

I think this helps to create a sense of accomplishment.

This idea of simplifying can be applied to gelatin printmaking too. I will often:

  • Limit my color palette to cyan and black – classic printmaking colors
  • Use just 3 to 5 stencils of different volume or line quality
  • Print on my standard size paper, so that the prints can be easily turned into books

mock cyanotype with gelatin plate

If you would like to explore simplifying your gelatin prints, then check out the details of the upcoming workshop and join us today. The online class starts March 1st.

less is more print

Feeling the chaos? Maybe simplify Read More »