Stencils a fast and easy way to get into printmaking

Stencils are a quick way to get started with printmaking techniques.

masking stencils for printmaking without a press

They can be combined with other tools:

  • Add them to a screen for screen printing
  • Use them with the gelatin plate to make monotype prints
  • Adhere them to fabric for fabric printing

stenciling on fabric

Then can be used with or without a press. And can be created or found.

Watch the video below and check out my stacks of stencils.

I see stencils as doing one of 2 things:
  1. Masking stencil blocks the transfer of ink to the paper
  2. Traditional “hole” stencil lets ink pass through the “hole” to the paper

masking stencil and traditional hole stencil

I also use masking stencils to transfer ink to the plate or paper in a unique way when I am printing with the homemade gelatin and glycerin plate.

monotype printing with stencils and the gelatin plate

If you would love to explore stencils, designing them, making them and using them then check out the details of the Make Stencils Workshop, starts July 30th.

The online printmaking class:

  • 4 wk Stencil Making Course
  • 20 lessons – 34 videos
  • 6 month access or download for life

Hope to see you in class soon.
nbsp;

Stencils a fast and easy way to get into printmaking Read More »

Sampler book from Mixed Media Printmakers Retreat

The Mixed Media Printmakers Retreat is designed to meet you where you are in your mixed printmaking process.

Then add a few new skills to reform and shape some of your prints and papers into books and mixed media prints.

mixed media board book by linda germain

In preparation for the course, I did a little sample book that included several of the processes that we will be using,

  • Rusting paper or prints
  • pamphlet stitch book form
  • Wax rubbings
  • Tissue paper collage
  • Gesso transfers
  • Stitching without thread
  • Smoking, burning
  • Text as texture
  • Trace monoprint
  • accordion fold

You still have time to join this online class.

Read the details on the workshop page.

Class is 2 weeks long and is designed to help you dedicate a concentrated effort to your art practice.
And you have access to the classroom for at least a year.

Get inspired! Give your pile of prints new life!

Sampler book from Mixed Media Printmakers Retreat Read More »

Space + Time + tools = FUN

This was my TO DO list today.

space time tools fun

I needed to

  • make some space on my workbench
  • take the time to play with the woodblock that I made last week in class
  • gather the tools for my experiments.
  • Then most importantly let it be FUN!

If you are having trouble getting started with you next art making project try out the “Space + Time + Tools = FUN” formula.

abstract woodblock prints by linda germain

Often we can be distracted from making art because we think that we do not have:

  • Enough space
  • Any time
  • Right Tools

That might be true, but if you really want to make art you can often find the time and space and then use the tools that you do have.

For example, woodblock printing is new to me. After taking a workshop at MassART with Lisa Houck, I wanted to continue to experiment with the blocks that I had made.

mixed media board book by linda germain

Even before the 2 day workshop started I hunted through my stuff for carving tools, wood, watercolors and paper. I borrowed watercolors from a friend and made do with the paper and tools that I had.

The thing that was going to stop me was time!

I reminded myself to “feed” my art habit first, then I would be in a space to share what I learn with others. [Like the oxygen mask in a crashing plane scenario. :)]

mixed media printmakers retreat with linda germain

This kind of support, sharing and structure is what I hope to give you in the Mixed Media Printmakers Online Retreat. I want to help you find the space, time and tools to have some fun with printing, collaging and bookmaking.

I think that this kind of supported action will help to feed your art practice.

Read the details on the printmaking workshop page and join us today. Class starts July 7th.

SaveSave

SaveSave

SaveSave

Space + Time + tools = FUN Read More »

Writing to assist your ART making

  • Do you use text in your art work?
  • Do you write “morning pages”?
  • Do you scribble to it is illegible?
  • Or can you create beautiful fonts by hand?

printing over handwriting

I am a scribbler. I do a form of morning writing. And I love to use text as a textural element to draw the viewer into my work.

Morning pages my way

I have taken classes that encouraged writing to inform, understand or jumpstart a process/series.

artist book with text

Writing about your process or inspiration can help you to talk to others about your art. When they understand your art, then they will appreciate it more.

text on a journal cover

People are drawn to text. They want to read it.

black out poem

I noticed that I read the description cards at the museum. Sometimes I spend more time reading the card than looking at the art. Then the text is getting in the way of my direct experience. So I try to look at the art first and them maybe read a bit of the info card.

notes in a sketch book

I challenge you to try using text/writing to:

  • draw the viewer in
  • create a pattern or shape
  • build texture and not words
  • instill some mystery
  • capture a memory
  • hide or cover something
  • explain a juxtaposition

over writing to create texture

If you would like to explore several ways of adding text to your work, then consider joining the Mixed media printmaker’s online retreat.

Class starts July 7th and you will have at least 6 more months access to the classroom. Read the details on the workshop page.

text and coffee stains as basis for printmaking

Check  out my gallery of work with text as element of design.

SaveSave

SaveSave

SaveSave

SaveSave

Writing to assist your ART making Read More »

Declare – I am an ARTIST

How does if feel when you say:

I am an Artist. I make………………

Linda Germain Artist

I have a defensive denial reaction, that I quickly bury. And I am a bit uncomfortable with the statement. Hmmm?

  • Why is it hard for me to declare?
  • What am I afraid of?
  • Why do I not feel like an artist?

Probably as with any belief, I need to say it, and live it until it is in my bones.

Linda Germain - make your mark

How can I do that?

  • Be aware of my resistance
  • Tell myself and others that I am an artist
  • And step by step I will start to believe it.

creation linda germain

As artists we:

  • see things differently
  • notice the usually unseen and
  • create new combinations of materials and ideas

We are all unique and that is our gift to the world. Enjoy a video from the Artist Project from the MET.

 

One thing that does help me to feel like an artist is to be with other artists, to take classes and go on art vacations.

That is why I am offering the Mixed Media Printmaker’s Online Retreat. I hope to bring the art “vacation” to you.

collage linda germain

I modeled the class around elements of art vacations that I have taken. I combined reflection, action and learning into an intense week long event.

Class starts July 7th. Check out the details on the workshop page. You will have access to the lessons for at least 6 months, so even if this is not a good time for you it may still work out.

If you have a pile of prints and papers that you would like to transform, then this may be the class for you.

prints by linda germain

Declare – I am an ARTIST Read More »