Staying motivated, random approach

I am having brain challenges. These challenges make it hard for me to focus on much for very long. So I have adapted my journaling and art making approach to include short specific challenges.

Sketchbook by Linda Germain

I work in a book form that I keep the signatures separate until the end and then combine them to make one solid book. This allows me to do a lot of random mark making. It seems like it doesn’t make sense as  I am doing it, but in the end, I think that I am getting in touch with a more intuitive creating and  the books are cohesive.

Work signatures separately

I often take one approach and work on one page at a time in each signature. So I have six signatures going at once. They will be glued together in the end to form a book. I keep the signatures separate because it allows me to work in wet media without having to wait for everything to dry. If I have a wet page, I can just move onto another signature while that page is drying.

Wet media drive by working on signatures separately

I love to make  marks as I go, I love to make patterns  with my handmade foam stamps. One of my most recent approaches is to use a trace monoprint kind of mark with a simple drawing, and a sheet of homemade transfer paper.

I do have my favorite motifs, which include trees, birds, other animals, faces, and houses.

Birds and houses my favorite motif

I am also including Bible verses in this months book. I am trying to get in touch with the faith and healing, and it seems to help to write them out.

Collage is a another great approach as well for this layered journaling process. I can collage a piece here and there, or a word here and there, and then let the page develop as the month goes on.

Emotions collage

I definitely still use my timer to get me through the lack of motivation. So I set a timer for 20 minutes and usually I get into the 20 minutes. Keep refreshing the timer and before I know it, I’ve spent an hour or two working in my sketchbook, which is always makes me happy.

Repetitive marks and crayons scribbles are another way that I connect disparate marks in a journal spread. It is very freeing to scribble with a crayon, and it can be mindful to just make random dots and lines.

add stamped marks

My favorite tools for this process very simple markers, watercolor, acrylic, markers, crayons, homemade stamps, and magazine bits for collage.  So I encourage you to gather some simple supplies that you may already have and set a timer for 20 minutes and see what happens in your sketchbook.

If you need some encouragement or ideas, you could check out the creating habits workshop that is on sale this month for only $45. In that class I offer 20 different techniques to play with in your sketchbook.

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Finding new habits

My sketchbook is a great place to find and develop new habits. It is a safe place to experiment. Hopefully I don’t bring in a lot of judgment and expectations to the process.

Sketchbook pages

I find a lot of inspiration on Pinterest. I’ll often take an image and use different materials to make it my own.

My favorite materials these days are simple, crayons, and water colors. I like how the crayon resist produces a sketchy mark.

Emotions collage

I use lines in squares and circles to mark up and start a page. I often work back-and-forth and do not complete one page or spread at a time.

My sketchbook can be a place to release and discover emotions and feelings.

Emotions, Mandela collage

Often I will glue in words or feelings, in the form of a collage or mandela. This is one of the habits that I offer in the class Creating Habits. It is 27 short videos with 20 new habits. Check out the details on the workshop page.

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Embracing sketchbook habits

I have noticed that my sketchbook habits have changed. I am using a lot of homemade stamps, scribbles and crayons. If you are looking for sketchbook ideas to expand your mark making skills, the January sale class is Creating Habits. This class includes 20 new habits in 27 short videos.  Save $30 was $75 now only$45. Get the details here.

sketchbook. page

I am losing my ability to draw with my dominant hand. So I often draw and write with my left hand, which creates more primitive and childlike marks.

Watercolor, sketchbook page

I recently had added some collage that I later respond to with watercolors and drawings. I still have to quiet the critical mind, and move past judgment and thoughts of what should be.

angel cards

I still often start the day with a couple of angel cards.

Drawings in sketchbook

My subject matter seems to be similar trees, birds, faces, flowers and houses. I have been doing the small sketchbooks regularly for several years now. And it’s kind of exciting to look back a few years and see what I was doing and pull it into the most recent sketchbook in some form.

Mixed media sketchbook page

I really love use of the homemade foam stamps. If you are looking to create personalized and unique stamps, then, check out the stamp making class here.

DIY foam relief stamps

If you are looking for sketchbook ideas the January sale class is Creating Habits. This class includes 20 new habits in 27 short videos.  Save $30 was $75 now only$45. Get the details here.

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Draw that leaf

Here in New England fall is a wonderful time to use leaves as inspiration for drawings and print making.

Autumn leaves as inspiration

I do think that photos are the best way to capture the colors for a long period of time. But I can’t resist collecting a few leaves and bringing them back to the studio for inspiration.

capture the fall colors of the leaves

Out of all the choices that I had, can you believe that I picked a simple yellow and brown leaf to use as a reference for my sketchbook drawing.

Draw that autumn leaf

My plan was to fill a sketchbook spread with different variations, inspired by this one leaf. I started with an outline drawing of the basic shapes inside and out.

Repeat the same leaf shape with slight variations

Then I filled the two pages with similarly shaped leaves overlapping in layering them. I use loose watercolors, markers, and gel pen. I hope I have inspired you to gather a leaf or two, and to make a sketchbook drawing to celebrate the autumn season.

Check out the online courses that are available as self studies.

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Try a Simplified Trace Monotype print

The sale class this month is Draw into Print. In this class, we explore several ways to create trace monotype prints. Read the details on the workshop page.

trace monoprint - pears

I have been exploring an even simpler way to incorporate trace monotype prints into my sketchbook.

simple trace monotype print

Sometimes I don’t want to get out a lot of tools and would like a quick little way of making a print.

For this simple process, you just need some water soluble oil pastels, wax paper, masking tape and simple line drawings.

trace Monotype print water with soluble pastels

The first step is to make some simple drawings on small sheets of paper that you would like to make duplicates of.  Do keep the lines, simple, and clear.  This process would be more difficult with a very detailed drawing.

Simple line drawings for transfer

To create the transfer paper, we are going to heavily coat the wax paper with a layer of water soluble oil pastel. You could use any color that you like, but to get the traditional, fuzzy line, mark like a trace monotype print, I use black.  This trace paper can be used over and over again. You will just need to re-coat it with the water soluble oil pastel every so often.

Trace paper made with water soluble oil pastels

To make the trace monotype print lightly tape the trace paper onto your sketchbook. “Ink/pastel” side facing down.  Then tape your sketch on top of the trace paper and firmly trace over your line drawing. It works like carbon paper of the olden days. 🙂

Trace monotype print horses

Be careful to keep the papers in place so that your lines will match up. You may have to experiment with the amount of pressure needed to transfer the line. But I think you’ll be pleasantly pleased with your results.

One benefit of using the water soluble oil pastels is that they are somewhat resistant to watercolor. And I love to accent the drawings with a bit of loose watercolor to complete the image. Hope you enjoy this technique.

If you want to explore trace monotype printing in depth, check out the details of the online class Draw into Print, the sale class for this month.

Sketchbook page with trace monoprint techniques

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