How to save left over printmaking ink

Use small containers to save your left over Printmaking ink.
Look for the smallest containers to save your left over ink.

I try to put small amounts of ink on my palette, so I don’t end up throwing it away. I say,

“You can always put more out, but you can’t put it back in the tube.”

I found some very small plastic containers with a snap tight lid, like those of an old film canister. I also found some a little bigger as you can see in the picture.

The smaller the better for tiny amounts of ink. There will be less air in the container, so the ink will dry out more slowly.

I usually:

  • Use a palette knife to scrape the ink off the palette and into the container
  • Then I give it a little spritz of water to keep it damp
  • And I try to use up the ink with in a day

I have tried making a “freezer paper pouch.”

  • Cut a small piece of freezer paper
  • Scoop up the ink and
  • Put it on the shine side of the paper
  • Lightly spritz the ink with water
  • Fold the paper loosely so you don’t squish the ink
  • Tape over any air holes
  • Use the next day

Do you have any tricks you use to save left over inks?

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Check out some Monoprints on Fabric

6" x 6" gelatin monotype print on fabric with screen printing
6″ x 6″ monoprint on fabric with screen printing

If you look closely you can see the texture of the fabric in this little print. It is an experiment in using acrylic paint. The paint dries very fast and that makes it hard to plan and to get a strong transfer of color. I topped this one off with some thermofax screen printing.

Monoprint on fabric with the gel plate by inda germain
Monotype print on fabric with the gelatin plate – linda germain

I like to work on piece of the print at different times. This “saves some whites” or lights. Often when layer and masking the monotype print can get dark or muddy after just a few layers. Don’t you just love the “bubble” on the left side. It is one of my favorite tools – a floor mop sponge.

Used a sponge to lift off and apply ink to the gelatin plate in this monoprint
Used stamping tools to lift off and apply ink to the gelatin plate.

I love the delicate marks that are possible when printing with the gelatin plate and ink. These prints were all made without a press and with mere hand pressure.

Gelatin plate monotype print on fabric - with a bubble wrap dress stencil
Gelatin monotype print on fabric – with a bubble wrap dress stencil

I have had these dress stencils for years. I cut paper doll style dresses from paper, plastic, wire mesh and bubble wrap. The texture of the stencil is captured in what I refer to as the detailed impression. It is generally the impression that is created  by the ink that lies under the masking stencils.

 

Monoprint on cotton fabric with ink and the glycerin and gel plate
Monoprint on cotton fabric with ink and the glycerin and gelatin plate

I have been doing what I call palette prints. They are clean up prints at the end of a session. I just have fun with the left over ink. The background in this monoprint is a palette print.

Hand cut floral stencils used mask and transfer ink to create this gel monotype print
Floral stencils used to create this gel monotype print

Lots going on in this simple print on fabric. I call the white shapes = shaped impressions. These are the shapes created by masking stencils. There are some brayer marks on the right edge and a detailed impression in the top left corner.

Gelatin Monotype on wet fabric with a blade of grass as a stencil
Monotype on damp fabric with a piece of grass as a stencil

This is just a snapshot of a larger print. Of course it was my last print of the day and then therefore my favorite. I must be more experimental or loose when I am just trying to use up my ink. And the prints that come from that attitude are usually fresh, exciting and my favorite.

 Fabric Monotype print on the glycerin and gelatin plate with a weed as a masking stencil
Monotype print on the gelatin plate with grass as a masking stencil

I hope you have enjoyed these few gelatin plate monotype prints on fabric. If you would like to make prints on fabric with a group of international artist, then sign up for Monoprinting on Fabric. It is a 4 week online printmaking course with Linda Germain. Check out the details and sign up today.

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Printmaking – Use What You Have

Peace Love and Joy thermofax screen print with hand coloring by linda germain
Pause and Consider

Happy Friday!

You are busy! So a quick thought to give you a little Peace, Love or Joy!

Use What You Have………

Pause for a moment, You may find that you already have what its takes and you do not have to run somewhere to get something.

You probably have:

  • an idea to solve the challenge
  • a special skill to get the job done
  • a unique perspective that could change the mood

I “use what I have” all the time:

  • Printmaking tools, and techniques
  • Problem solving with folks
  • Coming up with new ideas
  • or just fixing dinner

Enjoy!

 

 

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How do you track your Ideas?

Use Idea boards to create and capture inspiration
Idea boards to create and capture those moments

Ok, I admit I just took a Creative Live course with Megan Auman about Pinterest.

So I am guessing that a lot of folks use pin boards and Pinterest to keep track of ideas and inspiration.

There must be some other folks who love paper, pictures and real pushpins.

Do you:

  • collect postcards from museums
  • create dream boards
  • cut out magazine pictures
  • spread them out to see or
  • organize them in a book or binder?

What do you do when you are walking and you have a great idea for your next series of prints?

Do you talk to your smart phone, write it down or hope you will remember it?

Need a printmaking workshop? Check out the current online classes.

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Go with the Flow

looking out the studio window - heavy rain - linda germain
What do you do with heavy rain?

Heavy wind and rain here at my studio. Click below and enjoy a minute of “rain in the drain”

Flow is important to me when I making monoprints. Flow is:

  • effortless
  • steady
  • beyond though control
  • usually allows for results that exceed thought
Make gel Monoprints on fabric with Linda Germain
Make gelatin Monotype prints on fabric with Linda Germain

I have discovered that gelatin printing monotypes on fabric has a very different flow for me as compared to gel printing on paper. I have noticed:

  • transfer of ink is different
  • hand pressure is different
  • brayer care is different
  • potential marks are different
  • impressions are different
  • time management is different

As I walked through the rain this morning, I was very aware that the street was the same but different. It was covered with a thin sheet of ice and that required:

  • awareness
  • adaptation
  • patience and
  • adjustment of expectations.

I think that when I apply those attitudes to making monoprints, then I have more success. What do you think?

Explore making gelatin plate monotype prints on fabric with me and an international group of artists. Read the details and register for the online printmaking class today.

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