Choose the Right ink for the Job

I am all about experimenting with whatever tools, inks, papers and plates are in my studio. This leads to much “failure” and eventual success.

I say that if I get 2 out of 10 prints that I love then I am doing good.

inks for gelatin printmaking

I want to share with you my experience with different inks, on paper with homemade gelatin plate. All combinations will work to give you some kind of printed impression. So there is no wrong way, just different ways.

I am going to talk about my experience with Speedball Water Based Block Printing ink, and Golden Open Acrylic paint and basic acrylic craft paint. I think these are the easiest products to find.

Acrylic craft paint

It is inexpensive and easy to find. However it dries very quickly and it may be too fluid to hold the edge of a detailed mark. Don’t let craft paint dry on your brayers, it will ruin them.

Detailed impression - focus on the ink/paint left under the stencils
Detailed impression – focus on the ink/paint left under the stencils

This red house print was made on a gelatin plate with craft paint and it features the detailed impression, the second print made with the ink that is left under the masking stencils.

Golden Open Acrylic Paint

This paint is designed to stay “open” wet for a longer period of time. It does not dry as fast a craft paint. It is very richly pigmented and on the expensive side. It is still a paint and not an ink.

It is very popular with many mixed media artists. I find it sticks more to the plate than my paper and still dries too fast. You may be able to add a bit of water to get it to release from the plate and on to the paper. And make sure you clean your brayer right away.

If you have some of these paints, try them and see if you get some prints that you like.

Gelatin Print made with golden open acrylics

The print above was made with the Golden Open Acrylics.

Speedball Water Based Block Printing Ink

These water based inks can be found in some craft store and most online art stores. They are moderately priced. It does take some time to get to know how to roll them out and to ink the brayer and plate.

They do not dry fixed. So if the print gets wet the image will smudge, as with wet collage methods. One draw back is that they are a school grade ink and the richness of the pigments are just adequate. There is a richer pigment in the process colors of the Speedball Printmasters Block Printing Ink.

These are my favorite inks to use for gelatin printmaking. The ink stays alive and generally moist enough to transfer the ink from palette to brayer to plate to stencil and finally to paper. This allows for good detailed impressions.

They are non-toxic, very easy to clean up and will not damage your brayers if the ink dries on them.

Detailed gelatin print with speedball inks

The gelatin plate print above was made with the speedball water based block printing inks.

Water soluble Oil based Inks

I have very briefly tested some oil based yet water-soluble inks and have trouble getting the oil based inks to stick to the water based gelatin plate.

It might work, but you may need to do some trial and error experimentation with modifying the inks with a spritz of water.

water soluble oil based inks

I am super sensitive to oil based inks. I used to be able to use them, but now it makes me wheezy. I loved the Daniel Smith water soluble block printing inks, but they are no longer making them.

The benefits of a water soluble oil based ink are that it dries fixed and generally the pigment is richer that a water based ink.

The Akua Kolor shown in the image above(now called Akua Liquid Pigment),  is a soy based pigment and dries by absorption into the paper. It is highly pigmented, on the expensive side, and I do know of some artists who like to use it for gelatin printmaking.

I find it still sticks to the plate more than transfer to the paper. Clean up is a little more labor intensive. But it does dry fixed to the paper.

Gelatin Printing with akua liquid pigment

The print above was made using Akua Liquid Pigments and the gelatin plate.

I hope my experience helps you.

There is no one best ink. It will depend on many factors:

  • type of plate you are using
  • type of impression you want to create
  • any allergies you might have
  • how much money you want to spend
  • if you are willing to experiment

One rule that could guide you as well: Oil and water don’t mix. If you are using the water based gelatin plate then oil based inks will probably bead up.

Anther helpful skill is to learn how to ink your brayer smoothly and evenly. This takes time and practice.

If you want to explore monotype printing with the homemade gelatin and glycerin plate, water based inks and paper then check out the current workshop offerings.

Join the list below, get the plate recipe and notice of future classes and discounts.

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Is it possible to learn ART online?

Recently I attended a Book Arts Intensive and during the usual introductions I described myself as an online printmaking instructor.

gelatin plate monotype printing on fabric

The number one question was: How is it possible to learn ART through an online course?

If you have ever watched a YouTube video to learn how to do something, then I bet that you can learn art making through an online course as well.

The way that I teach printmaking online is:

  • Break the techniques into little manageable steps
  • Give you short actionable videos to get you printing a lot
  • Put the instructions and videos in a private website for my students
  • Send you regular emails with links and encouragement
  • Invite the students to post, share and ask questions in a private Facebook Group
  • Give feedback and answer questions in the Facebook Group

Why this format of learning to make prints works?

  • You take the class in your own home or studio
  • You fit it into your schedule
  • You pause and watch the videos as much as you want
  • You can ask questions and get help just like in an in-person class
  • You will have all the tools and supplies to continue your new skill
  • It is convenient and affordable.
  • You are able to get much more skill building over time

If you would like to try out some online learning you could try out my free gelatin and glycerin plate recipe for making the monotype plate.

Make a Glycerin & Gelatin Printing Plate Now!
Get the FREE recipe to make a gel printing plate

Additionally, you will receive a weekly email about printmaking, ideas, tips and courses.

Join us today and start having fun!

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Turn your drawings into Trace Monoprints

Do you work hard to make a drawing that you like? I do.

line drawing of a chair - good for trace monoprinting

One way to make your drawings live on is to use them to make trace monoprints. This is an easy low tech way of printmaking without a press.

Tea cup drawings turned into trace monotypes

I love taking a drawing and using it to make mixed media piece of artwork. I think the beauty of a line drawing is that  it let’s the artist’s hand show through.

ink dropper face drawing

I love when then energy of the moment is captured in a quick gesture drawing. For me it can take 20 or more drawings to get one that I like. But I don’t mind. I know that the whole time I am building my SEEing skills.

art sketchbook by linda germain

Drawing is about really seeing what is in front of you and then flattening that 3d image into a 2d drawing. I think that their can be  a lot of baggage and rules around what is a “good” drawing. That pains me.

doodle by linda germain

The whole, “I am good enough,” conversation can get in the way of fun and learning. One way to start believing that you are good enough is to look at what “good” drawings are on exhibit in the modern museums, look at some art history books and see what they call “good.”

collage by linda germain

Then find a famous artist who you admire and study her/him. Copy some of his/her drawings, as studies. That is what the old master’s did. Keep it fun!

simplified flower drawings by linda germain

Consider, joining the online class, Draw into Print – a weekend drawing and printmaking workshop.  Read the details on the workshop page here.

 

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Possibilities for printing palettes

We use a palette to roll up ink and get a nice thin layer on the brayer. There are options to choosing a palette.

I like to keep things simple and use what I have, so I am going to give you some ideas for what to use for a palette for rolling up ink.

Palettes for rolling up ink for printmaking

Palette Options:

  • Piece of plexi glass or acrylic about 11″ x 14″ or bigger. You may be able to find “remnants” of this from a glass or window repair shop.
  • Plexi glass from a Poster frame is another option. These are usually thinner and may need to be taped to the table.
  • Glass from a picture frame, with the edges taped is another idea – just be careful. Don’t cut yourself.
  • Plastic chopping mats can work – You may need to tape it to the workbench.
  • Freezer paper taped to the table works too. It helps if the table is smooth and the freezer paper is securely taped down.

I use plexi glass plates. They are easy to clean and I don’t have to tape them in place. And I get them free from my dad. So if you are new to printmaking or you are looking for options for palettes try out some of the ideas above and see what works best for you.

Ready to Ink your brayer

Join us in the next online printmaking workshop – read the details on the print workshop page.

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Many ways to learn to Draw

As I fine tune the drawing lessons for the new weekend workshop, I am seeing that there are as many ways to learn to draw as there are teachers and students.

drawing books to inspire printmaking

Some say learn to draw in 15 minutes and another 355 hours.

So what is the truth?

It depends:

  • What are your goals?
  • What style do you want to learn?
  • What is your reason to want to draw?
  • What experience or baggage do you bring to the class?

 

contour drawings and trace monoprint workshop

It helps to:

  • Focus on expanding your idea of drawing
  • Explore gesture and contour drawing
  • Building a drawing habit that will feed your printmaking for life

So I would say it probably takes more than 15 minutes to draw and hopefully less than 355 hours to start to make drawings that you like. The thing to do is to find the tools that support you and your unique expression through drawing and printing.

flower monoprint linda germain

The thing that takes so much time is:

  • Switching to the right/spatial side of the brain
  • Training yourself to LOOK at what you are drawing
  • Start to see what you like about your drawing and be less critical

If you would like to use your simplified drawings to make Trace Monotype Prints, then check out the details on the workshop page.

If you would like a simple tutorial to explore some contour line drawings, then sign up below.

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Build your skills and confidence in your ability to draw

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