mixed media printmaking

Magazines and books – sources of inspiration

Once or twice a year I get a stack of old magazines from a library or other recycling source.

Stencils from magazines

It is a treat to feast on the pictures and text. I cut stencils and roll pages into mark making tools, make collages and more.

book as photo subject

I go through the magazines several different times for collage and drawing projects.

cut up book pages for collage
cut out word poems

Parts of the magazine that inspire me:

  1. Words – for found poems and collages
  2. Fonts – for drawing
  3. Photos for drawing references
  4. Thumbnails of larger pictures – composition ides
  5. Illustrations – for drawing ideas
  6. Figures and silhouettes for stencil making

poems from magazines

So go to your library or recycling center and get a stack of magazines and make stuff. The images and words that you find are a jumping off place for your own uniques expression. Twist, crop and rearrange the words and images to make something new.

Make some origami boxes – There is a free tutorial here.

origami box from magazines

 

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Masking stencil combined with soft foam plates

I think a combination of different quality of marks often creates a more interesting print.

soft foam plate relief prints

Foam plate relief printing often creates solid white line kind of mark. You can create variety in the line quality by drawing the plates with different kinds of tools.

In the print above I used a pen, pen cap and found weeds to make the foam plates on the left. But to create the bolder marks on the right I combined a solid plate with “masking stencils.” I used plant material for the lower right image and cut paper stencils to create the shapes on the upper right side.

masking stencils for printmaking without a press

Masking stencils like those shown above are not usually used in relief printing. But if they are super flat they can be combined with a plain unmarked foam plate with pleasing results.

Foam plate monoprint on paper - Linda Germain

I thought of this combination of materials, because as a gelatin printmaker I have stacks and stacks of masking stencils.

So as you work on creating your mixed media prints be open to combining processes and materials in new and unconventional ways.

Multi color Foam relief print Linda Germain

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What to draw when it feels like work?

If you are like me and don’t really like to draw, then it can be challenging to come up with ideas for drawing subjects.

sketchbooks linda germain

A few classic subjects:

  • self portraits
  • fruit and veggies
  • flowers

self portrait linda germain

I think the important thing is that you are interested in the subject matter. That will make it easier to stay committed to the drawing. Most recently I have been distilling my marks down to basic shapes.

mark making in sketchbook

I think it helps to give your self permission to draw the same thing over and over again.

A couple of more topics:

  • Studio tools
  • Jars, cups and vessels
  • Buildings
  • Birds

shadow shape inspired drawing

So if drawing feels like work to you, don’t give up. Just keep trying new approaches:

  • new subject matter
  • use small pages or notebooks
  • try meditative marks

If you would like to explore some meditative mark making and learn a few book forms, then check out the current workshops being offered.

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Books a good way to show off your monoprints

piles of prints with potentialIf you are an experimental monotype printmaker like me, then you probably have a lot of prints and papers with potential.

stab bound book of monotype prints

The books above are bound in the manner of Japanese Stab binding. This form works well with a soft cover and hard back, and a long landscape style format. We will learn this book form in the Mixed Media Retreat.

accordion style books

Accordion style books are great for display.

I think the natural evolution is to start making books with some of those prints. Things you could make with your prints:

  • book covers
  • end pages
  • whole bound book of prints
  • spine covers

Pamphlet stitched books

Pamphlet stitch binding easy and useful.

If you are curious to get started with some simple book forms, then check out the details, of the online Mixed Media Retreat. We will learn 6 book forms and several layering techniques that will put your prints to good use.

soft cover coptic stitch binding

Soft cover coptic binding is great for books that open flat.

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Spring time – Good for rusting paper

You may call me crazy. But I like to collect rusted bits of debris found on the side of the road.

Rusted papers in art journal

Spring in New England, is a good time to find bits of rusted metal on the side of the road. And things are even pre-flatted. 🙂

collect rusted metal from city streets

I have a rusted cookie sheet and a collection of flat rusted things. Once or twice a year I like to rust up some paper or fabric.

rust paper

It is easy to do, but yields unpredictable results.

  1. Get your rusty things wet
  2. Wet your paper
  3. Stack the rusty stuff on your paper
  4. Get the most contact possible. I like to put some weight on top
  5. You can spritz with vinegar/water mix
  6. Don’t cover. You need air to oxidize the metal.
  7. Wait over night (that is the hard part)

rust printing paper

Then you have some paper wit wonderfully aged patina. I have used it for:

Give it a try!

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