Gathering prints in progress

Today I went around my studio gathering up all the prints that I have done this year. I am getting ready to to sort through and finish a few for the holidays.

monotype prints by linda germain

I really am a process person. I love figuring out how to make printmaking techniques work for me. There is a lot of trial and error, but that is the fun part for me. So there are plenty of less than pleasing prints in the process.

Monoprints by Linda Germain

I say to myself, if I get 2 good prints out of 10 that I make then I am doing good. I think it takes time to get to know the inks, paper, and materials and how they all work together.

various mixed media prints by linda germain

I try to give myself permission to fail fast and often. That way I get closer to success sooner. Now that I have my prints all together, I can sort through and put them:

  1. Love it!  Done ready to mat and frame.
  2. Needs a little something to call it complete
  3. Paper with potential, yet needs collage, cropping  or a lot more layers.

I challenge you to gather all your art, prints, drawings from this past year in one space and sort through them. See what you discover.

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Simple Printmaking Technique

Sometimes simple is the most powerful and has the most impact. Think of famous logos, Nike, Apple and Amazon.

tiny hand made stamps for repeat printing

I like to use inexpensive and everyday items in my printmaking process as well. So for this easy printmaking process I used:

  • set of smooth sided alphabet blocks $1
  • Sticky back foam
  • scisosrs
  • pencil
  • waterbed colored markers

sketchbook to develop ideas for printmaking

I traced the block and did a bunch of sketches while I was watching TV. But these sketches were to complex for me to cut out of the easy to use sticky back foam. I had to go even simpler!

Hand stamped pattern

I learned a lot about simplifying my marks:

  • Use the edge of the block for reference
  • If it is too complex, just remove the foam and start over
  • Think about shapes
  • Think about how they can fit together
  • Use the negative and positive shapes.

homemade foam stamp

If you would like to explore added stamped marks to your papers or prints and creating some printed gifts, then check out the details of the new online printmaking course, Printed Gifts, get the Free origami Box tutorial too.

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Printing unique paper for printing projects

I love experimenting with printmaking processes. I don’t always know how I will end up using the printed papers that I make.

Marbling paper for printing projects

I tried a variety of marbling products, the Suminigashi kit, alum coated paper with waterproof india ink and thin watery acrylics on a liquid starch bath.

I found that the type of paper is very important. The best results were on rice paper and mulberry paper. Most of my other papers gave a faint impression or did not absorb the inks.

Marbled rice paper

I did so many papers that I figured out a few things:

  • I like a simpler modern style of marks
  • Do 2 or 3 colors max
  • Use a big juicy water color brush
  • It holds and therefore can release more ink
  • Get clean water often
  • Skim of the top
  • Let the water get very still
  • Use very diluted detergent as a dispersant

Some of my goals were to use the papers that I already have in the studio, get a richly pigmented impression and to learn what I like. So for me it is rice paper, the suminagshi kit and a big pointed water color brush. I worked small 5 x 7 and used a foam tray as my container.

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Marbling paper and soaking stencils for printmaking

I took a bookmaking class on Saturday at the University of Southern Maine – Making a Side-Sewn Book from Start to Finish With Stephanie Stigliano
Marbling paper with alum and india ink

We experimented with some simple marbling techniques. We used Suminagashi inks. But she also showed us how to size the paper with alum and water, let it dry and then india inks would work as well.

So I got some alum at the spice section of the grocery store and pulled out the old india ink and experimented. I had to size the paper by wiping it with the alum and water mixture and then wait for the sizing to dry.

easy marbling paper

I used:

  • a recycled plastic tray for the water bath
  • diluted detergent as a dispersant
  • two small paint brushes
  • various print papers
  • Arches worked the best and I am not really sure which arches paper it is.

I enjoyed the process even though most of my prints “failed.” So I have ordered some of the suminagashi inks and I look forward to experimenting with them.

Even though ink was not sticking to my paper, I was learn about how to use the brushes and very gently touch the surface and create designs.

I am soaking some new leaves and ferns in a glycerin and water bath. Just mix 2 parts water to 1 part glycerin and fully submerge fresh, strong leaves for a five days. The leaves absorb the mixture and stay flexible for a long period of time.

preserving leaves with glycerin and water

They do not last forever, but they are much more pliable and make better stencils for making prints with the gelatin plate.

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Books as tools for Mixed media printmaking

Recycled books for art makingI just gathered my new stack of old books from the Haverhill Public Library book sale. $5.00 gets me a pile of books that can be used for:

  • altered books
  • stamping tools
  • black out poems
  • print paper

old books for making altered art books

I look for old books with

  • interesting covers
  • cool illustrations
  • big print
  • raised details

I curled the pages of a text block and made a stamping tool to be used with the gelatin and glycerin printing plate. This was just a quick test print, but I think there is some potential here.

text block rolled into a stamping tool for gelatin printing

What do you think? Would you use books as art materials or are they too precious?

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