monotype print

Embracing the everyday

Today, I was walking on the beach and I noticed the salt lines in the sand and thought that they resembled mountain ridges. I tried to take a photo, but the sun was too bright.

be inspired by the beach

I am thinking about mountain ridges because I have been printing abstract mountain scapes in preparation for the upcoming online class.

Monochromatic Mountains gelatin printmaking workshop

Then I noticed the way the slopes of the shoreline and the hills of the sand dunes created ridge lines too. Again what I saw in my mind was not really captured with my camera.

sand dunes as mountain scapes

Maybe these everyday experiences are the catalyst for abstract art. Expressing, honoring this essence of a thing, place or happening in a very individual way.

walkers on the boardwalk

I am sure other folks on the beach noticed different things about the beach this morning.

As artists, I think we:

  • See and feel things others don’t
  • Interpret those sights and feelings
  • And then express them in a way that helps others to see and feel differently too.

What do you think?

If you are interested in making Monochromatic Mountain Scapes with the gelatin plate, then check out the details on the workshop page.

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Working on multiple pieces at once

I find it freeing to work on several pieces at once. That way I can go with the flow.

work on many gelatin prints at one time

And I can give each piece time to dry.

gelatin plate prints on the studio wall

Having space to lay out the pieces in progress is important. Because I work small it is pretty easy to spread 5 to 20 pieces around the studio.

screen prints on the clothesline to dry

When screen printing I use a clothes line system.

Gelatin monotype prints drying on foam core board

When gelatin printing I use over sized pieces of foam core.

handmade books with double fan binding

With book forms, I can usually get away with the 4 table tops in my studio.

Gel monotype prints in progress on the studio wall

Sometimes, I use the walls to admire work that is in progress or done.

screen prints drying on the studio floor

If necessary, I have even used the floor, when I was in production mode.

Do you work on several pieces at once? Do you have special ways to expand your work space to accommodate drying pieces?

If you would like to explore binding prints or papers into books with a glued double fan binding, then check out the details on the workshop page. Class starts soon. This is a great way to use your piles of gelatin prints.

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Creating when time is limited

Do you want to make stuff and yet if feels like you just don’t have time? YES!

I think it is important that as creative people we find outlets for that urge to create something even when time is limited or motivation is lacking. Expanding my idea of what it is to create helps me fill my need to make stuff.

A few alternatives to my usual art making are:

  • Taking self portraits on my morning walk
  • Building a wilderness sculpture inspired by Andrew Goldsworthy
  • Making a photo collage or slideshow with recent images
  • Making repetitive marks on small strips of paper
  • Painting blobs of color
  • Walking around town with new eyes – looking for things I usually missself portraits

 

These activities are easy to fit into something that I am already doing like walking, downloading photos or sorting papers in the studio.

So I encourage you to look for ways to add a little creativity to your day even if you have a long to do list. Even if you simply open your eyes to seeing the every day in a new way, I think you will be inspired.

If you would like a class to keep you making things then check out the current online printmaking classes.

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Stencil Cutting Skills

One of the key skills that we will be developing in the upcoming class, Hand Printed Cards with the gelatin plate, is stencil design and cutting.

Gelatin prints with tyvek stencils

I was inspired to improve my stencil making skills when I took a class with Beatrice Coron. She is a storyteller and paper cutter. Enjoy her Ted Talk below.

In the upcoming class we will be creating designs that are sturdy, connected and good for printing with on the gelatin plate. I like to use Tyvek® because it is very strong and pretty easy to cut. This allows me to pull hundreds of prints with one stencil.

Gelatin Monotype by Linda Germain

If you want to practice your stencil cutting skills then download and print out this pdf, Stencil Cutting Practice sheet. Remember to use a sharp blade and breathe. 🙂

The stencils that we will design and cut in class will be a little different than what I call the “hole” stencil.  They will be connected shapes shapes on a border, like paper cuts.

cut tyvek stencil for printmaking

If you think you might like to learn these skills, the check out the details of the online printmaking class, Hand Printed Cards with Tyvek® stencils and the gelatin plate and join us today.

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Send cards – a new tradition

Gelatin Printmaking is a great process for making one of a kind cards for all occasions. The process is fast and very satisfying. My biggest challenge is inky fingers.

hand printed cards

You can always cut and collage pieces of prints from you existing stash of prints. To do this I like to make a view finder and crop them down to size.

view finder for cropping prints

To find a pleasing composition:

  1. Hover over the print with the view finder looking for dynamic balance.
  2. When you find it pierce a tiny hole in the print at the inside corners of the view finder.
  3. Flip the print over and draw square cutting lines between the tiny holes
  4. Cut the print to size

collaged cards

I did the crop, cut and collage approach with the cards in the image above. You do have to take care to make things square and cut straight line.

Another approach to card making is to print your original image in the folded card format. This is a good way to go about it if you want to make a lot of cards with a similar design. I used this method in the cards below.

hand printed cards using tyvek stencil

I use a very strong Tyvek® stencil, water based ink and the homemade gelatin plate. This allows me to make a series of cards that are based on the same image, but all a little bit different. This makes the process more freeing and creative.

gelatin monotype cards

You can get two types of impressions from the one stencil. The first print is the one on the right below. I is solid black with the white of the paper showing where the stencil blocked the transfer of ink.

tyvek stencils for gel printing

The second impression is the one that I really like. It is the print on the left. I call it the detailed impression, because it captures the details under the stencil.

This detailed impression can be unpredictable and challenging to capture. The ink needs to stay alive and stick to the plate rather than the stencil.

If you want to cut some nice strong stencils and pull a pile of hand printed cards, then check out the details of the upcoming online class, Hand Printed Cards + the gelatin plate.

hand printed cards online workshop with Linda Germain from Linda Germain on Vimeo.

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