artist book

Binding prints into books

I have so many gelatin prints, and I am always looking for ways to use them. For the past few months I have been using lots of prints to make small soft cover journals.

piles of gelatin prints

I have experimented with using a print every other page and also made books with just a few prints and more blank pages.

handmade gratitude journal

I used a few as a gratitude journal.

tiny handmade sketchbook

And another as a tiny sketchbook.

My nephew used his to practice his Japanese.

double fan bound note book

I did make a few with hardcovers. The hardcover does elevate the feel of the journal and is good if I am making a more precious book of prints.

handmade books with double fan binding

I like this book form because:

  • It is great for single sheet prints
  • It can be used for prints with inky/messy backside
  • It opens pretty flat
  • I can use up a lot of prints

If you would like to explore this book form, then join us in the online Bound Prints Workshop. Get all the details and register here.

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Waiting is challenging

I have been exploring some new book forms. I am binding gelatin prints into soft cover books and then using them like a journal.

artist books by linda germain

I am very pleased with the double fan book. It is a glued form that is good for single sheets of paper. This works well for all the 5″ x 7″ prints that I have been making in the last few years.

small gelatin plate monotype prints

The more books that I make the more I start to follow the rules. Waiting for the glue to dry is so hard for me. I want to flip the book open and start using it right away. Or even just open and see if I glued it straight and square. But don’t do it! The flatter I can leave the wet gluey paper then the flatter it will dry.

double fan bound book

Rules I am trying to follow:

  1. Paper grain runs in line with the spine. My pages lay flatter when the grain of the paper runs vertically. This can be challenging when I am using old prints, that I created without reference to the paper grain.
  2. Use good book binding PVA glue. It is strong and has less water content. Things seem to dry flatter and smoother.
  3. Let everything dry completely, under pressure. Generally that means overnight. This is the hardest rule for me to follow. But it has the biggest pay off. When I let the book dry completely, then the pages lay flat and the spine seems to be stronger.

With the my version of the double fan binding there are 3 overnight waits. I am developing more patience.

soft cover book of gelatin prints

Are there parts of your practice that require

  • waiting
  • patience or
  • following rules?

Willingness to adjust the process, sometimes pays off with different results, like flatter more pleasing books.

If you need the recipe to make the long lasting gelatin plate, you can find it here.

Happy printing!

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Abundance and texture – Books as ART Materials

I wanted to share with you why I love using books as ART Materials.

Old books are:

  • tactile
  • intimate
  • abundant and
  • often nearly free

Books for making art collages

The pages can be the foundation for printing, painting collage and origami.

collage of book pages

But the parts that I love the most are:

  • the stuff that makes up the spine
  • the book cloth and
  • the book board

book as textural elements for collage

One old book can be the stimulus for many projects. If you thinks this sounds interesting, then gather some old, unwanted books and join us in the online class, Books as ART Materials.  Get all the details and register on the workshop page.

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Slow down and do some meditative making

Lately, I have been doing black out poems, and folding cranes and boxes from book pages.

origami box with book pages

I noticed how meditative the process can be. I don’t need a lot of space or tools, and I can do the process almost anywhere.

origami box with black out poem

I even combined the two, a black out page and then folded it into a tiny box. I ran a thread through several cranes and now have them floating above my work table. The folded crane is a symbol of success and good fortune, in the Japanese culture. I think everyone could use a little of that!

I encourage you to try out one of these meditative practices. FREE origami box tutorial here.

black out poem

If you find you like working with book pages and parts, then join us in the online class, Books as Art Materials. Read all the details on the workshop page.

book parts for collage

It is fun to hunt for old books and then take it apart to make new works of art. I think I love the hunt and deconstruction even more than the new making.

book as photo subject

This is from the lesson, book as photo subject. Then I used the photo to cover a handmade book.

drum leaf bound artist book

 

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Deconstructing a book – discovery process

I am getting ready for the Book as ART Materials class, and realizing how much I enjoy the deconstruction and discovery process of take an old book apart.

deconstruct books to use as art materials

And I suggest that for this process it is okay to judge a book by its cover.

collect old books to alter

When using books as art materials, I think the older books have more surprises to offer. And they are a lot easier to take apart.

The magical parts are in the spine and the covers. The spine often has glue, mesh and other supportive materials that are great for collage.

book parts collage

Pages can be used for so many applications. Basically you can use them for any project that calls for paper:

  • origami
  • printmaking
  • painting
  • collage and more

I encourage you to find an old but not precious book and dissect it! Then see what you can make with the parts. And join us in the online class, Books as ART Materials. Read the details on the workshop page.

art projects using book parts

 

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